One of my Facebook friends recently posted about Hollywood, saying, in part, All I’m asking is that you give me good characters, not tokens, and good stories, not lectures.
Such is the sorry state of the entertainment industry today. It’s no longer about entertaining. It’s about using entertainment to push a political agenda, and it’s not going over well with the general public. I think this is why TV ratings overall are down, and why there were fewer butts in seats at movie theaters long before Covid came along. I’ve never been much of a sports fan myself, but lately I’ve been reading plenty of news articles about how television ratings for professional sports have dropped dramatically now that the various sports leagues have made it about politics instead of playing the game. People seek out entertainment because they want to take a break from politics and just be entertained, and when you use entrainment to lecture people they’ll simply walk away.
My contemporary romance novels are written solely to entertain my readers, and I wouldn’t have it any other way. If I wanted to lecture anyone I would write whatever nonfiction genre would be the most appropriate for the point I wanted to make. However, I made the choice to write contemporary romance. It’s my favorite genre, and like my readers, I simply want to be entertained.
Fiction revolves around conflict, and how the characters react to and resolve the conflict. That’s the essence of a plot line, regardless of the genre. I stick to the outcomes readers want and expect. Good overcomes evil. The antagonist suffers the consequences of his or her actions. However, I don’t lecture my readers. I’m a storyteller. My job is to entertain my readers with my stories. I’m neither a teacher or a preacher, nor do I want to be, and I leave the politics to the politicians.
People sometimes ask me why I write contemporary romance as opposed to other genres, such as mystery or science fiction.
I write romance because we all have hopes and dreams and a desire to be happy. That happiness, however, often seems to elude us because of the choices we make, and how we relate to the people around us.
I create characters who are realistic and believable. My protagonists aren’t heroes. They make bad decisions and they’re left to deal with the fallout. Likewise some, but certainly not all, of my antagonists learn from their mistakes and they try to do better. Most, however, remain defiant until the bitter end. Either way, they too have to live with the consequences of their actions, and a few even pay the ultimate price for their sins.
The one thing you won’t find in my stories is gushy, gooey schmaltz. For those who like melodrama it’s out there, but that kind of storytelling isn’t my style. My inspiration comes from my own life experiences, and the stories others have told me. Readers feel the connection, and they in turn tell me how believable my stories are.
This is why I write romance. It’s the one genre where I can dig deeper into our relationships with the people around us and try to better understand the human experience.
Oh the problems one encounters when writing contemporary romance. As I explained in my earlier blog post, Sweet, Sensual or Erotic Romance, there is a distinct difference between sensual romance and erotica. In sensual romance, the “romance” scenes are written to enhance the plot as the characters consummate their relationship. The emphasis is on what they’re feeling.
That said, as I’m working on my third novel, The Journey, I found myself in a bit of a rut when writing those scenes. Let’s face it. There are only two kinds of equipment out there, and that equipment only works in certain ways. I was starting to worry that my writing might be become too redundant.
So, I decided to do a little research and downloaded a copy of an anthology called Little Birds, by Anais Nin.
Ms. Nin is perhaps the literary madam of erotic literature. I thought I might learn something new about writing from her. What I found, at least in my opinion, were stories that were a little cold. The characters were one-dimensional and lacked passion. Afterwards, I looked at my own writing. I think there’s something to be said for writing about what the characters are feeling, emotionally as well as physically. As for the redundancy; I suppose it is what it is. Even Ms. Nin’s stories were a bit redundant. Yet decades later, readers still enjoy them. I guess there are some things in life that people will never get tired of. Like chocolate cake.